The ruse is, of course, discovered after the guards leave, but trickery rules the day as Sanjuro convinces the Superintendent and Kurofuji to dump a bunch of camellia flowers of a certain color into the stream as the signal to call off the raid. These events are necessary and fun, but they don’t really move the plot forward. The shared nature between the two men is obvious, and Muroto even reveals his own ambitions to manage the Superintendent so that he is the power behind the official and running to clan as he sees fit. A duel that Sanjuro thinks is foolish and unnecessary, but which Muroto insists on since Sanjuro abused his trust. The final duel sums up Kurosawa’s visual style and strategy succinctly. To an audience in 1962 that blood fountain was shocking and novel Picture 8/10. His constant coming out of and retreating into the little closet the group has him “imprisoned” in is one of the great comic relief gags of Kurosawa’s career. That embarrassment saves Sanjuro’s cover, but a failure that spectacular can’t be ignored as Sanjuro’s plan to infiltrate the Superintendent’s group comes to a premature and futile end which accomplished nothing but the unnecessary deaths of some guards. There is a good point to be made here about too much of a stupidity and thoughtlessness of others. Kurosawa frames the scene with Iiro in the center of the frame. confronts the Samurai at a dusty crossroads as he is trying to leave town. Realizing that the Superintendent will act swiftly, they’re all immediately off to spirit the Chamberlain away. Before departing for the road again, Sanjuro acknowledges that indeed the best swords remain sheathed and instructs the young samurai to remember that. Kurosawa doesn’t let the ideas bog down the story, as there’s still an escape to be made with the two ladies, with Sanjuro offering himself as a footstool for the older lady. But, rather, it’s a film that acknowledges that there’s really no place in society for someone like our favorite ronin. Its story is one of adventure, and cunning smarts, as the old samurai Sanjuro leads 9 young heroes on a mission of saving a town from a dictator. And, for once, Sanjuro has no response. Sanjuro just happens to overhear them talking about the situation, and decides to help them out. Featuring an excellent supporting cast and typically brilliant photography, the film is engaging from the bold opening scene to the tense, bloody final duel between Muroto and Sanjuro. Throughout the story, Sanjuro poses as a bad ronin who is after making a quick score. It turns out that he was sleeping in the back room of the temple and overheard their discussion. The opening cine has you hooked, as Sanjuro single-handedly beats up about 15 men with his sword’s sheath. Much of it is a long take with a carefully composed composition as we … after that it wasn’t possible to release a Samurai movie without fountains of through trickery and deception rather than skill with a blade. When Sanjûrô has to kill about a dozen of Kikui's men and then smacks three of the young samurai for forcing him to kill so many, Toshirô Mifune slapped the three young actors for real. A crafty samurai helps a young man and his fellow clansmen save his uncle, who has been framed and imprisoned by a corrupt superintendent. The blood is shocking first of all because it’s there at men, who are standing conspiratorially close as they discuss the duel. You can draw a So, instead of trusting, Iiro and the hotheaded samurai decide to follow and spy on Sanjuro. Featuring an excellent supporting cast and typically brilliant photography, the film is engaging from the bold opening scene to the tense, bloody final duel between Muroto and Sanjuro. Featuring an excellent supporting cast and typically brilliant photography, the film is engaging from the bold opening scene to the tense, bloody final duel between Muroto and Sanjuro. good thing. Western that is no accident, Kurosawa was a big John Ford fan, and all of his Throughout the film he repeatedly spars with his opposite number, a Ironically, Kurosawa’s The famous final scene of his duel with Hanbei, the henchman of the corrupt superintendent, is poignant. After trying and failing to convince the younger man to change his mind, the Samurai … Again it’s a reprise of Yojimbo, but a thrilling reprise nonetheless, as Sanjuro slaughters the guards in a tour de force action sequence. A friend, while in college, went to a showing of Yojimbo. First, Kurosawa checks in with the Chamberlain who is revealed for the first time as he lightly lectures the young samurai for not trusting him and causing a lot of unnecessary death, including the ritual suicide of the Superintendent. The uncle took their evidence and told them to go home and mind their own business, essentially. Sanjuro is reluctant to fight and tries to dissuade Hanbei, but Hanbei is furious at his loss of dignity and declares he can only find ease by killing Sanjuro. Topic on Reddit. What’s even better is that while Sanjuro isn’t likely to be called one of Kurosawa’s major works, it’s still an accomplished, highly entertaining film with a clear message. The two men stare at each other for a long moment, appearing Why wouldn’t Sanjuro turn them all in to save his own hide and probably get a reward? brilliant young henchman of the Superintendent who is in many ways a dark In an irony, that’s the very same place that the superintendent is holding the chamberlain, with a wall, a little stream, and flowering camellia trees separating and connecting the two sides. Click to email this to a friend (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Pocket (Opens in new window), Kurosawa, In Order #29 – Rhapsody in August, All Hallow’s Lee: To the Devil a Daughter, Still Watching the Skies: Episode 56 “The Andromeda Strain”. 78 of 78 found this interesting Sanjuro is both attracted to the idea of being part of society again and repelled by it, although he does try to follow the Chamberlain’s wife edict that he should restrict his killing. Featuring an excellent supporting cast and typically brilliant photography, the film is engaging from the bold opening scene to the tense, bloody final duel between Muroto and Sanjuro. However, there’s no shame going out on a film as good and enjoyable as Sanjuro. But, Sanjuro has already picked sides. Continuing a playful mood, Kurosawa has the samurai hole up right next to the superintendent’s chief ally Kurofuji (Takashi Shimura), with the belief that the last place that their enemies will look is right under their own nose. He asks if the uncle is ugly and when told the response is yes, quickly surmises that the young samurai have been lured into a trap and the Superintendent is the corrupt force. 90.5k members. He is constantly depicted as separate from the group, dirty and constantly scratching, as contrasted to carefully coiffed and clean samurai. Kurosawa isn’t really known for his broad humor, but here he goes all in with Mifune playing the part to the hilt. Some brainstorming and the group concocts a plan where Sanjuro will report that he discovered the young samurai at a temple out of town, and when the guards leave to investigate, they’ll swoop in and rescue the Chamberlain after getting the signal of a bunch of camellia flowers dumped in the stream. Masterless and disgraced, Muroto challenges the Samurai to a duel. their entire careers around creating gorier and gorier effects. If this whole setup looks like a high noon scene from a Post was not sent - check your email addresses! Directed by Akira Kurosawa. their swords. Not bad for essentially a lark in between major productions. Muroto is so trusting that he’s ready to reveal all to Sanjuro. Showing all 28 items Jump to: Photos (10) Quotes (18) Photos . Subsequent directors around the world based It doesn’t take long but the Superintendent’s men arrive and find a grumpy ronin, upset that his sleep has been disturbed, instead of a bunch of rebellious samurai. The young samurai misjudge Sanjuro based on his appearance and mannerisms, and Kurosawa subverts the audience’s own judgment in the same way. Sanjuro is an amazing piece of cinematography. And the ronin wastes no time in letting his displeasure be known even as the most cursory of searches is performed. He was exactly like me. Chat with us here: https://discord.gg/ZSbP4ZC. Up to this point, That blood fountain became iconic almost immediately, and In a bit of a repeat of Yojimbo, Sanjuro has hidden the young samurai under the floor boards of the temple. Not taking no for an answer, Iiro reports that he turned to the Superintendent Kikui (Masao Shimizu) for help and after being surprised by the uncle’s reaction the Superintendent agreed to cooperate. In 1962, Akira Kurosawa was at the top of his game. reflection of the Samurai. (and it still works, especially after viewing the entire film in all its And when the time comes for the final duel with the bad guys’ head swordsman, Hanbei, it’s just one move-one cut, again like Kyuzo’s duel in “Seven Samurai”. Samurai movies show a distinct Western influence. Even against his better judgment, he lets the prisoner they captured live at her insistence. Instead, we’re introduced to a gathering of young samurai in a temple. In the original film, a rōnin arrives in a small town trapped between competing crime lords. Hanbei draws his sword, but the faster Sanjuro kills him. And Muroto offers Sanjuro a place by his side. Their adventure opens with immediate comedic results. In the final scene of the film, the young henchman Muroto confronts the Samurai at a dusty crossroads as he is trying to leave town. Even their prisoner, in a great bit of comic relief, almost becomes part of their group under the influence of the Chamberlain’s wife. Feel free to insert your own Human Centipede joke here, who knows, Sanjuro might actually have been an inspiration considering there’s a Japanese part in Tom Six’s film. Kurosawa had wanted to make a film based on Shuguro Yamamoto’s story “Peaceful Days” before he made Yojimbo. Except for the fact that they both spot the young samurai spying on them. The samurai race off and find Sanjuro and Hanbei about to duel. r/criterion. Sanjuro is generally a romp, and more often than not the Chamberlain’s wife is an object of humor, but unlike Yojimbo, there is a good side to this conflict and Kurosawa allows that side to express its ideals and even temper Sanjuro’s cynicism. Sanjuro being the name of the character (obviously a pseudonym), he is a ronin that gets sucked in to a local coup. Tatsuya Nakadai was Mifune’s chief nemesis in Yojimbo, and obviously Kurosawa wanted to repeat that success. card classic compact. And, in a burst of action, Sanjuro kills two of the guards, while the remaining samurai capture one for questioning, and have spirited the women to the local barn. With classics like, Nowhere were these dueling goals, crowd pleasing and in every action or horror film with nowhere near the same effect. Product Identifiers and disgraced, Muroto challenges the Samurai to a duel. Posted on Jun 10, 2013 by Robert Reineke | 0 comments. to violence, he just knew that he had made an awesome effect, and he was right. After trying and Or almost pure, as Sanjuro decides to take some responsibility for these young fools who might get themselves killed out of their own idealism. As they poke their heads out, it’s an image that George Lucas would re-appropriate for Star Wars and the smugglers compartments of the Millennium Falcon. Sanjuro´s interactions with the young naive samurai are hilarious and I also enjoy how sound effects are used for comedic effect. But, if the plot isn’t rushing forward, Kurosawa makes sure to stress that Sanjuro is very much an outsider. Kurosawa This Criterion Collection contains Akira Kurosawa’s 1961 film, “Yojimbo,” & its 1962 sequel, “Sanjuro,” both of which star Toshiro Mifune in the lead role as Kuwabatake Sanjuro. Sanjuro’s plan, essentially a reprise of Yojimbo, spurs a fierce argument among the samurai. with the violence and killing he is forced to engage in purely due to the For this reason, Sanjuro is a more straightforward action-adventure than its cunning predecessor, yet this accessible sequel is equally entertaining every step of the way. Product Identifiers Sanjuro is quick, but the Superintendent is wasting no time either and a glance out the window concludes that all escape routes have been blocked. And the exaggerated final duel (that blood fountain) is a great satire on the unrealistic portrayal of duels in samurai films, while also being incredibly cool in its own right (samurai films are popular for a reason). Along the way the Samurai becomes more and more disillusioned At least that’s the impression based on the setup. couldn’t have known that he was sending us down a road that ended in mass desensitization In the final scene of the film, the young henchman Muroto And, this time, Kurosawa comes up with a really great visual for selling Sanjuro’s story by leaving him to be discovered in a genuinely embarrassing condition. Muroto sets up a trap which the young samurai are eager to rush into, but which Sanjuro keeps them out of. Kurosawa was never particularly enamored with Japan’s feudal past and he doesn’t hesitate at all to make fun of the young samurai and their dreams of glory. failing to convince the younger man to change his mind, the Samurai agrees and Although she’s played for comedy, she’s just as naïve as the young samurai and totally unused to any physical exertion, she also embodies feudal nobility and ideals in a very real way. In this film, almost all the samurai apart from Sanjuro himself and Muroto are either bureaucrats or warriors in name only; in the scene where Sanjuro kills the guards to free his four captured comrades, almost none of them put up a decent fight, with the guards being … A thanks was planned for Sanjuro as well, but he’s nowhere to be seen, which is something of a relief to the Chamberlain even as the young samurai rush out to find Sanjuro. Someone that could have been his friend and ally in different circumstances. Much of it is a long take with a carefully composed composition as we wait for the two samurai to spring into action. The pairing of Kurosawa and Mifune was still strong as Kurosawa was preparing his next film. I found this part of the plot to be tricky to follow, and I was definitely referring back to the wiki plot explanation often to make sure I was keeping up with what was going on. across Muroto’s chest, creating a shocking fountain of blood as the young man Quotes ... Sanjûrô Tsubaki : [before their final duel] Must we fight? Muroto’s first act, after sending his troops elsewhere, is to offer Sanjuro a job. the gaggle of young samurai watching in the background framed between the two Most particularly, she sees right through Sanjuro’s character judging him to be like an exposed sword that cuts everything in his way (even when it isn’t necessary), while the best swords remain in their sheathes. relaxed except for the intensity in their eyes, until suddenly they both draw With a few words, Sanjuro gets to the truth of the matter. In the end the Samurai defeats the young henchman Rather than the prolonged sword battle typical of the genre, the final duel plays out like a Western gun fight (in the style popularised by Sergio Leone later in the decade): a long, staring, near-motionless build, then a moment of cathartic violence, then a pause to allow what just happened to sink in. Deception rather than skill with the sword s only really because Yojimbo got there.... 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